The apex court said the death row convicts failed to point out 'error apparent on the face of record' in the judgment.
Though tragic stories traditionally been avoided by Bollywood, there have been a few instances of this genre resulting in audiences making them commercial winners as well.
Salman Khan does his thing like only he can in Jai Ho. And the crowd responds. Raja Sen shows us, in his review.
Nothing can salvage the Marjaavaan mess, declares Sukanya Verma.
Tevar emerges an overdone, underwhelming film with zero charm, warns Raja Sen.
MTV Splitsvilla 7 is the most mindless show even by reality TV standards, says Nishi Tiwari.
Nayana has some interesting performances but it is only in the second half that we come to the real story.
Some black humour would have done more good than harm here, making Death Race a spectacular nonsense. But, without all that jazz the movie sadly ends up tasting like fast food junk with enough guns, girls and vroom vrooms, to keep your inner child entertained.
'Nobody told me upfront that you are a Marathi girl so we will not cast you.' 'I questioned myself: 'Am I not good enough?' 'Am I not good-looking to be in this industry?''
The film works because of Niveditha's performance.
'Just because a subject is uncomfortable for some and doesn't suit their political ideology, should a film not be made?'
'A poorly conceived reboot that's overlong, overdramatic and overdone, Love Aaj Kal simply cannot differentiate between pyaar and parody,' says Sukanya Verma.
'Our struggle does not end here. Justice is getting delayed. It's affecting other daughters of the society'
Pranaam leaves you even more disappointed, writes Karan Sanjay Shah.
Enakkul Oruvan is an engaging and admirable effort by debutant director Prasath Ramar, says S Saraswathi.
Enna Satham Indha Neram is a dull and unexciting film revolving around four 8-year-olds who get lost in a zoo during a school excursion.
As the heavy rains continued on Wednesday also, Orange alert was sounded in 12 of the 14 districts of the state for the day.
Shubh Mangal Zyada Saavdhan is not so much a homosexual romance as it is an exuberant appeal imploring conservative Indian parents to accept and respect their children's choices, gay or straight, notes Sukanya Verma.
Brilliant cinematography and melodious soundtrack make this Kannada movie a must watch.
A year marked by more lows than highs for Hindi cinema, here's a recap of the best and worst in 2021.
Slipshod direction and listless story produce a superfluous drama about how a judge turns into a murderer, notes Prasanna D Zore.
It looks like G V Prakash needs to re-group his resources after Kuselan or Seval's premise wasn't interesting enough, and he decided that ho-hum numbers is the way to go. The tunes are not too bad but somehow, you've come to expect a little more from this youngster who showed so much promise, to begin with.
There's little to cheer about Sonakshi's solitary expression and lifeless chemistry with Arjun that makes for nearly three hours of the movie, says Sukanya Verma.
Drive's idiocy is on display from the word go, feels Sukanya Verma.
Ishqeria is a most boring way to spend a weekend, says Namrata Thakker.
Mohankrishna Indraganti, Ashta Chamma has good performances by Swati, Nani, Srini and Bhargavi. It is a nice joy ride for the family.
What Sukanya Verma loves about Kenneth Branagh's extravagant vision is he gives us a Cinderella that's got a little more spirit and penchant for horse-riding if not the hand-drawn delicacy or singing prowess of her animated avatar.
It is the charm and the freshness of the young cast that makes Aanandam work, says Paresh C Palicha.
Sukanya Verma recaps all those events from 25 years ago.
Sun Pictures' and Atlantic Movies' Kadhalil Vizhundhen, directed by P V Prasad and starring Boys' Nakul, is a angsty romantic story that brings a lump into your throat and is definitely worth a watch.
Yako Movies' Ki Mu, directed by A Majid of Thamizhan fame is a mediocre re-hash of Kaadhal and other trend-setters.
There may be flaws, but there is no denying that Karthik G Krish's Kappal is thoroughly entertaining. But do remember to leave your thinking cap at home, writes S Saraswathi
Pyaar Ka Punchnama 2 contains some genuine belly laughs, and would have been perfect were it not for its feature-length running time, writes Raja Sen.
Srikanth Deva's music in Thotta just breezes past you with no lingering quality.
Kannada film Nam Areal Ondina tells a realistic love story.
For the first time ever, Alia has scored a Rs 100 crore+ weekend opener, which takes her straight to the superstar league.
You will enjoy 2 Countries only if you're a Dileep fan, says Paresh C Palicha.
'A good film is a good film.' 'If you enjoy watching it on Netflix, it should be equally fun to watch it in a theatre.'
Pati Patni Aur Woh cannot decide whether it wants to be the climax of a Priyadarshan comedy or give the cad a dose of his own medicine brand of cheeky payback, writes Sukanya Verma.
Before Kuttey's release, co-produced and co-penned by VB, Sukanya Verma takes a look back at the filmmaker's unique body of work.
